Screen Printing Processes

Our collection of videos on screen printing

Printing Transfers

Posted by TJ

Question from a customer:  I had a question about transfers. I print a lot on the road for my band, as we travel quite a bit. Its becoming cumbersome with the flash dryer, screens, and inks, not to mention the chance of ink getting on stuff in the hotel rooms.  I was interested in transfers. All of the designs we have are 1 color (white) on black shirts. Is it possible to effectively pre print a bunch of these transfers and with the use of a heat press, just make up the shirts as needed? I haven’t seen a whole lot of solid white single prints on black shirts that were transfers, and wondered if they look decent.
What kind of paper/inks would you recommend?

What You Can Expect from Frames with Mesh Glued to Frame

Posted by TJ

silk screensilk screen

What You Can Expect from Frames with Mesh Glued to Frame
For more great information to make you money, save time, money and aggravation, see
www.screenprintingbiz.com  - for education
www.rjennings.com  - to place orders

Improve Print Results

Posted by TJ

In screen printing, some images we see are soft, beautiful and with the colors registered perfectly. Others are heavy and, well, just poor quality. The difference can be summarized by one word: options. Printing involves lots of options and within each, a range of choices. Here, we'll examine how all of the variables affect final print quality.

Mesh tension

Printing Demonstration by McElroy Tees

Posted by Roger

McElroy T's from Roger Jennings on Vimeo.

Common Mistakes 7 of 9 - Squeegee

Posted by Roger

Common Mistake 7 from Roger Jennings on Vimeo.

Do I push or pull the squeegee? Does it make a difference? Sure does. Find out why. Which is better, a steel or aluminum press? Why do companies select one over the other? You will find out in this video.

Common Mistakes 2 of 9 - Stretch and Glue Frames

Posted by Roger

Common Mistakes 2 from Roger Jennings on Vimeo.

All mesh relaxes. Unless the mesh is re-tensioned, the mesh will move in the frame. Mesh must be re-tensioned a number of times until the frame has been used to print at least 500 prints. Then the print quality will not decline as you print more garments.

Common Mistakes 1 of 9 - Spray and Liquid Adhesive

Posted by Roger

Common Mistakes 1 from Roger Jennings on Vimeo.

See the 14 ways to get in trouble screen printing so this does not happen to you. #1 = spray and liquid adhesive. There is a better option. Watch to find out.

Creating Ideal Ink 2

Posted by Roger

Creating Ideal Ink 2 from Roger Jennings on Vimeo.

Modifying inks is demonstrated to achieve optimal opacity, image resolution, hand (the feel of the ink), and production rates. Inks can be used with different mesh counts, screen tensions, stencil thicknesses, substrate colors, printing techniques and other variables that require modification to achieve an optimal printing performance.

Screen Printing Registration Guide

Posted by Roger

Screen Printing Registration Guide from Roger Jennings on Vimeo.

Spend 10 minutes making the Screen Printing Registration Guide FREE from materials you own, and you will never have an image in a screen that has been exposed too high, too low or crooked. Multi-color images will register perfectly, and you will be able to print layers of 3-D ink in perfect registration. You will not need a pin registration system when you have a Screen Registration Guide.

Screen Printing's Best Exposure Unit

Posted by Roger

Screen Printing's Best Exposure Unit from Roger Jennings on Vimeo.